The Valensian Message Board -
|
Important Notice:
We regret to inform you that our free phpBB forum hosting service will be discontinued by the end of June 30, 2024.
If you wish to migrate to our paid hosting service, please contact billing@hostonnet.com.
View previous topic :: View next topic |
Author |
Message |
Merçeauroix Admin
Joined: 06 May 2007 Posts: 205 Location: The Moon
|
Posted: Thu May 24, 2007 8:32 pm Post subject: Valensia Lyrics - The Blue Album |
|
|
Pleaaaaaaaaaaaaaaaaaaaaase
Anyone? _________________
Mother Nature, sow the seeds
Mother Nation bleeds |
|
Back to top |
|
|
deie_gaia Mod
Joined: 19 Jun 2007 Posts: 125
|
Posted: Fri Jun 22, 2007 11:49 am Post subject: |
|
|
OK, I will!!!
01 - MAYTE
The continuation of the "Tere"-lyrics from the 1993 album "Valensia"
ego 1:
Murderer
I think you are a murderer
Wow, look what have you done; my dear friend is my enemy
And you write: She must lie
He must die
... says the Catcher In The Rhye
Layla Lily Lan Lee
Lee Aylan Lily Lan Lee
So you said that you loved her since June '95
and now you would like to meet her,
now she's no longer my wife
I said: "I guess it will be allright; it's good to have a friend here in Spain"
I introduced you at moonlight
But the 2 of you moved away
ego 2:
Maria mine, who is your valentine?
-Is it true that he dreams to kill me?
Mayte mine, don't tell me that a dear friend of mine is an enemy mine!
Pineapple delirium junketer
He's a junketer and a friend of mine
This hate glowed behind those eyes
This hatred I don't understand
I've not done bad
I'm not that bad
I'm not that sad
Valeria dies, says the Catcher In The Rhye
Maria Teresa beware
Mayte you'll be hurt
ego 1:
Murderer! I think you are a murderer
ego 2:
Maria Teresa beware
Mayte you'll be hurt
ego 1:
Murderer! I think you are a murderer, murderer
Wow, look what have you done; my dear friend; my enemy
And you write: She must lie
He must die
... says the Catcher In The Rhye
Terzarima dragoman trumpery star
My trumped guitar
A taradiddle star
Rendez-vous with an other man here
Is your truth a lie; the weed is showing your trails
Come forward and reveal your face
Time to show yourself by releasing that veil
ego 2:
And if there's something that you are sad about
-I help you out
And if there's evil about
-I help you out
And if you are faced down to the ground...
Valeria dies, says the Catcher In The Rhye
Maria Teresa beware
Mayte you'll be hurt
ego 1:
Murderer! I think you are a murderer
ego 2:
Maria Teresa beware
Mayte you'll be hurt
ego 1:
Murderer! I think you are a murderer, murderer
Wow, look what have you done; my dear friend is my enemy
And you write: She must lie
He must die
... says the Catcher In The Rhye
To protect him, I never could say the truth
To protect you, I never could say the truth
To protect us, I could never say the truth
To protect me, now I will be telling the truth
Oh, my dear friend... forever gone...
He wants to kill me Amadeo
My love's in the cradle
"Don't expect to be loved back 'cause there's no
love for you here", she'll say
"Because you are a threat and a rival, and
baby you're in the way!"
As far as I can remember you are
Valeria and that's all right (in the city lights)
But if it's true like he told us,
you're dying in his dreams each night!
Maria mine, who is your valentine?
-Is it true that he dreams to kill me?
Mayte mine, don't tell me that a dear friend of mine is an enemy mine!
Teddybears, a piglet & a tissue sty
Rupert, Harlot smile
And a friend of mine
This hate glowed behind those eyes
This hatred I don't understand
I've not done bad
I'm not that bad
I'm not that sad
Valeria dies, says the Catcher In The Rhye
Maria Teresa beware
Mayte you'll be hurt
ego 1:
Murderer! I think you are a murderer
ego 2:
Maria Teresa beware
Mayte you'll be hurt
ego 1:
Murderer! I think you are a murderer, murderer
Wow, look what have you done; my dear friend is my enemy
And you try to deny & to hide it inside, baby
And you write: She must lie
He must die
... says the Catcher In The Rhye
Drums by David Clarkson
Bass guitar by Valensia Clarkson
Acoustic, semi-acoustic, steel, Spanish & all Unicorn
guitars by Valensia Clarkson
All synthesizers, keyboards, computers, S-1100/S-
2000 samples recorded, edited, arranged and
performed by Valensia Clarkson
All harmony & leadvocals by Valensia Clarkson
The phrase "The Catcher In The Rhye" (from J.D.
Salinger's "The Catcher In The Rhye") was inspired by
a story on Mark Chapman.
02 - HELLO PIANIST
Good afternoon pianist!
When you called me to visit the stars I said: "Sure!"
But the deal was on your name and the bucks wired to you
I said: "No! That's a No Go."
They settled for my 50/50 way
so we went off to play, but with your people anyway
Well, they surely knew how to present you, this crew,
-This is me-
-This is you-
Juan said: "Look out! They're out to get you!
Use you and then take YOUR half too!"
Go to the bank, withdraw $60.000 now
Put it in a bag and meet me at the bar now
... and my mom & dad couldn't believe!
Good afternoon pianist!
Hey keyboardist!
Oh, there you are! Hey, hey you!
Stupid that you cheat, deceit & double-crossed me!
Hey keyboardist!
Yo, way to go, pianist!
Evangelist!
God afternoon pianist!
In The Sun Tere Visualized your Megalomania:
"I'm only in it to have it all for my own"
Radiates an aura so true
A steak of luck on top of it too!
"I'll blow your deal and burn the ground!
Even freeze your bank account!"
... and my mom & dad couldn't believe!
Good afternoon pianist!
Hey keyboardist!
Oh, there you are! Hey, hey you!
Stupid that you cheat, deceit & double-crossed me!
Hey keyboardist!
Yo, way to go, pianist!
Evangelist!
God afternoon pianist!
Radiates an aura so true
A steak of luck on top of it too!
Go to the bank, withdraw $60.000 now
Put it in a bag and meet me at the bar now
... and my mom & dad couldn't believe!
Good afternoon pianist!
Hey keyboardist!
Oh, there you are, pianist!
Yo, way to go,
Hey, hey you!
Stupid that you cheat, deceit & double-crossed me!
Hey keyboardist! Yo, way to go, pianist!
Evangelist!
Good afternoon pianist
Good afternoon pianist!
Drums by David Clarkson
Bass guitar by Emanuel Platino
All keyboards, samplers & synthesizers by Valensia Clarkson
Percussion by Valensia, who used real pots and pans (you know, for cooking) and he swears you can't notice any difference between real expensive congas and a frying pan.
Reggae and other guitars also by Valensia Clarkson
Trombone by Valensia & David Clarkson
Same Bruxelles-sample from Pachelbel has been used in reverse for "Hello Pianist"
Reversing this audiotrack might reveal some excerpts of
"Bruxelles" (GAIA II), "Cassiopeian Sky Surveillance" (K.O.S.M.O.S.)
& "The Sun" (VALENSIA I)
Harmony & leadvocals by Valensia Clarkson
03 - INSHALLAH
Where's the frontier between sounds & words?
(Bwom; hzzzzwww 'mpa, 'mpa, 'mpa, 'mpa,
'mpa'm plon-plon-plon-plen-plan-plin-plon
'mpo do jido-jido
Ah, ah-ah- ah, Ah-ah
Ah, plon-plen-plan-plin plon
... Em-po do do-do-do-do)
Cliché!
The critical eyes of expert gaze
Touche to Sheilas quackin' out of expurgate
Santé, I quell like I exasperate
Honey, I'm at poise
Get out of the room
Mm... baby, out of the room
Where's your Roly Poly for'
Esay-Bolderdash!
Easy-Bolderdash!
Lose me not; I always write a song of a gun!
I'm sorry but I have to be alive...
A supersonic BOOM you hear now
A superstatic tune from me now
I say: "Such pride could have easily lit the night bright"
ow ow ow ow ow ow!
One must say I'm rock enough to roll, ow ow ow ow ow
Some can say I'm much too freakish
You don't want me inside your head now
Inshalah, Inshallah, Inshallah, you sing with me
It would be nice to get out of your womb
Savouring some peace it would be nice
It would be nice to get out of your womb
Savouring some peace it would be...
So nice!
High 5
My alter-ego terminates
Cheerio to all the hocus-pocus that I execrate
Oh no, it has never been easy
Esay-Bolderdash!
Easy-Bolderdash!
Lose me not; I always write a song of a gun!
I'm sorry but I have to be alive...
A supersonic BOOM you hear now
A superstatic tune from me now
I say: "Such pride could have easily lit the night bright"
ow ow ow ow ow ow!
One must say I'm rock enough to roll, ow ow ow ow ow
Some can say I'm much too freakish
You don't want me inside your head now
Inshalah, Inshallah, Inshallah, you sing with me
It would be nice to get out of your womb
Savouring some peace it would be nice
It would be nice to get out of your womb
Savouring some peace it would be...
So nice!
I liked it my way
I like it my way
I think Valensia has fallen
A supersonic BOOM you hear now
A superstatic tune from me now
I say: "Such pride could have easily lit the night bright"
ow ow ow ow ow ow!
One must say I'm rock enough to roll, ow ow ow ow ow
Some can say I'm much too freakish
You don't want me inside your head now
Inshalah, Inshallah, Inshallah, you sing with me
It would be nice to get out of your womb
Savouring some peace it would be nice
It would be nice to get out of your womb
Savouring some peace it would be nice
It would be nice to get out of your womb
Savouring some peace it would be...
So nice!
It would be nice!
Toot-toot, Boing-boing
(When did the Poetry became Aenigmas which you can't decode
What I'm about to tell you is between you, me and the lamp-post
I've been used and abused inside and out
And there was nothing I could do or say
Look at the words flowing out of my Pencil
To pinpoint the Figurehead of this Charade
Mayte's word # 100)
Drums by David Clarkson
Bass synthesizer by Valensia Clarkson , who bought
New strings especially for this song (first flat-wound by mistake, then roundwound) but forgot to use the bass guitars on this track.
Harmony & leadvocals by Valensia Clarkson
All Unicorn guitars by Valensia Clarkson
Trombone by Valensia & Davis Clarkson
Valensia’s K.O.S.M.O.S. sample library has been used for the soundscaping of this track
A fragment of Saint-Saëns “Danse Macabre” was used for the anti-chorus on this track
All computers, keyboards, samplers & synthesizers by Valensia Clarkson
Remixed by David Clarkson at Wisseloord II Studios
04 - THE ECHO
Ye iye iyo
I yei iyo yo
… It’s a child, now
Honey
… It’s a child, now
(Life’s whiter strokes in black
Curved forms silent and singular
Then, rotating 40 degrees and pulsating
A screen of neverending splendour
I feel immortal even in death)
Drums by David Clarkson, Bass guitars by Emanuel Platino
Valensia’s K.O.S.M.O.S. sample library has been used for the soundscaping of this track
Strings on this track performed by The Luchansky String Quartet. Not really, but it always looks mighty interesting having names ending with “…sky, …slav or …czeck” on the orchestral credits
Violin by Valensia Clarkson. Really.
All computers, keyboards, samplers & synthesizers by Valensia Clarkson
Harmony & leadvocals by Valensia Clarkson
05 - The 1ST BORN
(Hallelujah, I am immortal now)
Yiddy-yiddy yeah yeah yeah yeah yo
Yiddy-yiddy yeah yeah yeah yeah yo-o
Yiddy-yiddy yeah yeah yeah yeah yo
Yiddy-yiddy yeah yeah yeah yeah yo-o
And everything’s going fine
Because everything’s what you are
Because you are all
That’s what you are
Drums by David Clarkson
Bass guitars by Emanuel Platino
Grand piano & tubular bells by Valensia Clarkson
All computers, keyboards, samplers & synthesizers by Valensia Clarkson
Harmony & leadvocals by Valensia Clarkson
06 - GOODNIGHT ORION
(No, she’s not replacing her
But she surely gave me back the strength I lost
When I lost her)
My little lasting love
My everlasting love
I will keep you warm when it's cold outside
My little everlasting love
You'll be warm
From now on
It's me and you
Drums by David Clarkson
Bass guitars by Emanuel Platino
Grand piano & tubular bells by Valensia Clarkson
All computers, keyboards, samplers & synthesizers by Valensia Clarkson
Harmony & leadvocals by Valensia Clarkson
07 - ALYSSA
(Strew my ashes on the mountain I cherish so
I beg for your pardon for the numerous errors I will made
Live like I’m still by your side
I thank my immortality to you and yours)
Meanwhile you cry
It’s like a will I write
Well, your mama is kind and sweet
Trust my body to flames,
Your home will be your surname
Within me
With your mother’s mind it’s more easy to cope with all that will come your way
With your daddy’s mind, well, life can be hard; be strong with all that’s coming your way
And I will be with my mom when my time has come
And I will watch over you while your life goes on from within you
My sweet love
I am and always will be so proud of you
-no matter what you do
My sweet love
In the House of the Lord
There I will dwell
(I have this terrible fear of dying which I cannot escape
After the accident I drove and the highway seemed peacefully
Suddenly I realised this image was a lie as the death are no longer here to see
I could imagine all those who lost their lives on the road
Still driving in their ghostly vehicles
And there were so many of them
Tomorrow there will be more
Every move was flouting the Gods
And fear became a deeper awareness of life’s fragility, rather than a trauma
But life ends with this insight
Except for when you’ve got nothing to give, take or lose
Never, NEVER give in to this insight
And live)
You dream and sleep
As we live in your past
Oh, I wished you were here with me
Just about 17
I look into your eyes and it seems
You are within me
An unexamined life, the practical only;
Plain but with a heart of gold
I philosophize. I’m wise but I’m lonely;
Profound and probably not too old
Time between the both of us is an unbridgeable crevice
I hope one day I’ll be like my mom; a Sweet Memory of the past from within you
My sweet love
I am and always will be so proud of you
-no matter what you do
My sweet love
In the House of the Lord
There I will dwell
And I could tell just after 2 weeks that you got your daddy’s eyes
So remember when you’re in a slump it’s good to be alive from within you
My sweet love
I am and always will be so proud of you
-no matter what you do
My sweet love
In the House of the Lord
There I will dwell
“When I experimented with the backward-principle, I put an excerpt of my song “Bleeding” in this song. But it’s uncanny that the sentence “In the House of the Lord, there I will dwell” backwards seems to say: “While there is no-one at all, nobody outside”, almost like the original lyrics from “Bleeding”, along with the correct chords and melody. It was an eerie event, listening to this.”-
Valensia Clarkson, March 2002
Drums by David Clarkson
Bass guitar by Emanuel Platino
Grad piano & tubular bells by Valensia Clarkson
All computers, keyboards, samplers and synthesizers by Valensia Clarkson
All Unicorn guitars by Valensia Clarkson
Harmony & leadvocals by Valensia Clarkson
Audiotrack “Alyssa” will reveal an excerpt of K.O.S.M.O.S.-track “Bleeding” when played backwards.
08 - THE FLYING DUTCHFAN
“Hey! your are that famous singer! Hell, what’s your name again… oh, yeah: Alec Sander! The famous singer from Waalwijk!”
Silent tears
Move on is the remedy
Fanatic you could never ease the pain
Excuse me if I may say so
If only you could see
How else could I spend my time
I’m bound to stay
Teamed up with screaming lady eyes
Honey don’t be fooled, he’s plagiarizing all the time
Alin que la beaute ne perde pas ses droits
Come on Mr. Pansy stick it in the fanzine
I’m welcoming your howling love
Oh, welcome to my House of Love
Fanatic, got to get the energy
Bitter sweet moving in serenity
Silent tears move on is the remedy
Fanatic you could never ease the pain
His real name is Stevie Diamond
His showname is Arno Kaas
How else could I waste more time
Don’t want to stay
Teamed up with screaming lady eyes
Honey don’t be fooled, he’s plagiarizing all the time
Et tender je dirai me penchant vers elle un soir
Come on Mr. Pansy stick it in the fanzine
I’m welcoming your howling love
Oh, welcome to my House of Love, yeah
Fanatic, got to get the energy
Bitter sweet moving in serenity
Silent tears move on is the remedy
Fanatic you could never ease the pain, hey
Honey don’t be fooled, he’s plagiarizing all the time
Soit!
La triade est male et tu es vienge et froid
Come on Mr. Pansy stick it in the fanzine
Fanatic, got to get the energy
Bitter sweet moving in serenity
Silent tears move on is the remedy
Fanatic you could never ease the pain
“Yo Aldy, what about this Dutch artist Arno Kaas?”
-The man should have an artist-name!
“It IS his artist-name!”
-What’s his real name, then? Stevie Diamond?
Drums by David Clarkson
Bass guitars by Emanuel Platino
Grand piano (Giga-sampled) by Valensia Clarkson
Piano sounds by David Clarkson
SY-90. S-1000. S-2000 and samples from Yabious CD’s quantized in Cu-base by Valensia Clarkson
All Unicorn guitars (Prince) by Valensia Clarkson (May/Val/Van Halen)
Harmony vocals (Queen) & leadvocals by Valensia Clarkson (Mercury)
Chorus bassnotes (first 4) from “My Baby Just Cares For Me” by Nika Simone
09 - LIFE IS A KILLER
Bad folks will live,
… and the Good tend to die
wow, evil survivors
The Mean mostly win,
… and the Nice always lose
Wow, makes you a loser
double bridge 1
Pop-pop; She was gunned dead; symphony’s dead, with no lead
Ain’t no gangsta, no pranksta who can deal with that
Push da musical crack, you betta watch you back
You ain’t down with that; ain’t goin’ out like that!
---------------------------------------------------
What a place for da… eh… the honest & the smart & the nice & the good;
It’s nothing new
What a world for the rich & the simple & the mean & the bad;
Is it something new?
Sometimes life is a killer
Sometimes life is just dead
Simple Minds are at peace,
… and Smart Minds are at war
Wow, dumb, but a survivor
Nasty Minds get rich,
… and the honest remain poor
Wow, you ain’t got a 5
double bridge 1
You ain’t saying nothing ‘cause you gotta back off; you get your cranium cracked
It’s layin’ low or getting’ smoked; you’re getting’ wacked
They’re about to pull the trigga. Why? – He made ‘em bigga
He’s pushin’ up da daisies; he’s goin’ crazy!
----------------------------------------------------
What a place for the honest & the smart & the nice & the good;
It’s nothing new
What a world for the rich & the simple & the mean & the bad;
Is it something new?
Sometimes life is a killer
Sometimes life is just dead
What a place for the honest & the smart & the nice & the good;
It’s nothing new
What a world for the rich & the simple & the mean & the bad;
Is it something new?
Sometimes life is a killer
Sometimes life is just dead
Drums by David Clarkson
Bass guitars by Emanuel Platino, who especially drove all the way to Nijmegen to get a 5 stringed bassguitar! Man, I didn’t even bother changing the old strings I used on GAIA II for playing The Line! Still it could be worse. I know artists who don’t bother tuning their instrument before playing on an album track! Or worse, who can’t even change their own strings! But I’m digressing.
All keyboards, samplers & synthesizers by Valensia Clarkson
All Unicorn guitars, harmony & leadvocals by Valensia Clarkson
Rap written and performed by Valensia Clarkson, with some keywords by David Clarkson
10 - THE AMATEUR
Whenever I pick up the pieces of my life,
An amateur is inbetween
Whenever I pick up the pieces of my life
Dodelodelon-don
Dodelodelon-don
Just when you think you’ve had enough
The bubble bursts, just when you’re down on your luck; so cruel
Once in your life, when everyone’s a crook,
You try to get back to your roots, girl
I can’t figure out what I’m singing here
I do hear that it ends with: so cruel, can’t you see
Daddy, take a good care of my brother
The amateurs and pro’s, saints & saviours
We will fall apart without mother
After all we are two total strangers
If somebody else is okay with it all,
Then it’s only ‘cause they didn’t dare to say
Once in your life, when everyone’s a crook,
You try to get it back to all your roots, girl
I lived a life where everyone
(and amateurs, sings the other half of the choir) is a crook
Try to get back to your roots, girl
Whenever I pick up the pieces of my life,
An amateur is inbetween
Whenever I pick up the pieces of my life
If somebody else is okay with it all,
Then it’s only ‘cause they didn’t dare to say
Daddy, take a good care of my brother
The amateurs and pro’s, saints & saviours
We will fall apart without mother
After all we are two total strangers
Ah, amateurs pick on somebody new!
Ah, amateurs pick on somebody new!
Daddy, take a good care of my brother
The amateurs and pro’s, saints & saviours
We will fall apart without mother
After all we are two total strangers
If somebody else is okay with it all,
Then it’s only ‘cause they didn’t dare to say
Oh, try to get back to your roots, girl
Drums by David Clarkson
Bass guitars by Emanuel Platino
All keyboards, samplers & synthesizers by Valensia Clarkson
All Unicorn guitars, harmony & leadvocals by Valensia Clarkson
11 - THE LINE
Tonight I guarantee my enemies will hang out to dry
Your memory ran amok this time
Starin’ eyes & a silent smile
My life has been nothin’ but a givin’ in and givin’ up fights
‘cause 10 to 1 that it would back-fire
Starin’ eyes & a silent smile
Perplexed when you’ve lost worlds entire (with that silent smile)
Perplexed when your world’s like wild-fire (with that silent smile)
They couldn’t be so ugly now they’re shootin’ on the line
But if you just believe there’s somethin’ on the climb,
They couldn’t be so ugly; I’ll be walking down the line
But if you just believe there’s somethin’ on the climb, a-ha
Somehow I’m up again and I run again and I won’t slow down
You’ll be scremin’ ‘n barkin’ at the wrong tree now
Starin’ eyes & a silent smile
Perplexed when you’ve lost worlds entire (with that silent smile)
Perplexed when your world’s like wild-fire (with that silent smile)
(You can’t win and you can’t fly)
They couldn’t be so ugly now they’re shootin’ on the line
But if you just believe there’s somethin’ on the climb,
They couldn’t be so ugly; we’ll be walking down the line
But if you just believe there’s somethin’ on the climb, a-ha
Starin’ eyes & a silent smile
Perplexed when you’ve lost, lied & tired (with that silent smile)
They couldn’t be so ugly now they’re shootin’ on the line
But if you just believe there’s somethin’ on the climb,
They couldn’t be so ugly; now they’re walking down the line
But if you just believe there’s somethin’ on the climb, a-ha
Shootin’ on the line
Shootin’ on the line
Drums performed, edited and re-edited by David Clarkson
Bass & Unicorn guitars by Valensia Clarkson
Fairlight-samples programmed & edited by Valensia Clarkson
Verse composed & written in 2002
Bridge composed & written in 1989 (taken from the un-released track “Tangled In Wire” by Valensia Clarkson, 1989)
Chorus composed & written in 1985 (taken from the original song “The Line”, from which the verses were used for the track “The Ex- (July July)” on the White Album, 1994)
12 - A NIGHT IN SPAIN
“It’s not sensual, erotic or sexual,
nor creepy, scary or sleepy
Not man nor woman
Not emotional or without emotions
It’s meaningful meaninglessness”
O 1 KM 1 EN B4 D IS H
2 RSQ U
D C N OCN BUT
UR A RFUG
N IM UR NME
O Y U DCF M
RT AT B LIF
R U 4 M
Just 10 feet, 10 inches, 10 lightyears away
When you turned me over to the night of Spain
O Y NRG DTREOR8S
DKS N MTNS
I 8 UR NRG
MED8 4 BST DMN
N U R 22 YS 4 M
EZ 2 TS U
D NTT S LIF
RU4M
Just 10 feet, 10 inches, 10 lightyears away
When you turned me over to the night of Spain
1 KM 1 EN B4 D IS H
2 RSQ U
D C N OCN BUT
UR A RFUG
N IM UR NME
Y U DCF M
RT AT B LIF
R U 4 M
Just 10 feet, 10 inches, 10 lightyears away
When you turned me over to the night of Spain
Just 10 feet, 10 inches, 10 lightyears away
When you turned me over to the night of Spain
Drums by David Clarkson
Fairlight sampling and programming by Valensia Clarkson
All harmony vocals by Maaike Rijniers
Voices & leadvocals by Valensia Clarkson
13 - BONEN HOOD
They’re out to get me baby, please mercy me
You-of all people-mercy me
They’re out to get me baby, please mercy me
You-of all people-mercy me
Bonen Hood toot-toot-toot toot-toot-toot toot-toot
Bonen Hood toot-toot-toot toot-toot-toot a-ha
Bonen Hood toot-toot-toot toot-toot-toot toot-toot
Bonen Hood toot-toot-toot toot-toot-toot a-ha
I can’t escape it
I want to be awakened
- my dreams could have been so happy now
Zaba-daba ha-ha-ha
Flee from tornados
Free falling elevators
6 crosses in your bed dancing on Steelers Wheel, a-ha
Also, Kushcka, make a move! sprach Zarathustra
Scaraboushka can’t you see what I must be feeling?
Tonight can’t you seen the gorgon’s caling for me
The goon is coming for me; it won’t be nice!
Tonight can’t you see (ungodly people) the gorgon’s calling for me;
(they’re ugly people)
It won’t be nice now!
Bonen Hood! Fearing good, dark brotherhood
“Bonen Hood”
Arahnah Haila-am Nah Haila-am, Nah Haila
Harahim
Arahnah Haila-am Nah Haila-am, Nah Haila
Harahim
Arahnah Haila-am!
(This is not Arab, nor is it an attempt to imitate it or make fun of it. I have no idea what it means or whether it resembles any existing words from any language of any culture or not. After September 11, as a phonetical writer you have to be careful you don’t accidentally write something phonetic that later turns out to mean: “Osama Bin Laden Is A Goof” or something. But this is the 7th time I’m interrupting. Just listen to my music, it’s just a lot of notes going up and down with some words sticked to it which are not Arab.)
Bonen Hood, let me share it all with you
Bonen Hood toot-toot-toot toot-toot-toot toot-toot
Bonen Hood toot-toot-toot toot-toot-toot a-ha
End of existece
Tsunami’s in the distance
…and you could have been so happy now
Zaba-daba ha-ha-ha
...and from a tower I tumbled
My brittle teeth are crumbled
Umbrella spiders creeping out of the window pane
Also, Kushcka, make a move! sprach Zarathustra
Scaraboushka can’t you see what I must be feeling?
Tonight can’t you seen the gorgon’s caling for me
The goon is coming for me; it won’t be nice!
Tonight can’t you see (ungodly people) the gorgon’s calling for me;
(they’re ugly people)
It won’t be nice now!
Bonen Hood! Fearing good, dark brotherhood
“Bonen Hood”
Arahnah Haila-am Nah Haila-am, Nah Haila
Harahim
Arahnah Haila-am Nah Haila-am, Nah Haila
Harahim
Arahnah Haila-am!
They’re out to get me baby, please mercy me
You-of all people-mercy me
They’re out to get me baby, please mercy me
You-of all people-mercy me
Also, Kushcka, make a move! sprach Zarathustra
Scaraboushka can’t you see what I must be feeling?
Tonight can’t you seen the gorgon’s caling for me
The goon is coming for me; it won’t be nice!
Tonight can’t you see (ungodly people) the gorgon’s calling for me;
(they’re ugly people)
It won’t be nice now!
Bonen Hood! Fearing good, dark brotherhood
“Bonen Hood”
Arahnah Haila-am Nah Haila-am, Nah Haila
Harahim
Arahnah Haila-am Nah Haila-am, Nah Haila
Harahim
Arahnah Haila-am!
Bombardon, bombardon it’s a risk to go
Bombardon, bombarson it’s a real sleeze
Bombardon, bombardon it’s a risk to go
Bombardon, bombarson it’s a real sleeze
Drums performed and re-edited by David Clarkson
Bass & Unicorn guitars by Valensia Clarkson
All computers, keyboards, samplers & synthesizers by Valensia Clarkson
Valensia’s K.O.S.M.O.S. sample library has been used for the soundscaping of this track.
A fragment of Saint-Saëns “Danse Macabre” was also used for the anti-chorus on this track
Male choir, harmony vocals & leadvocals by Valensia Clarkson
Richard Strauss’ Thus Spake Zarathustra has no connection to this song, nor Nietzsche’s Thus Spake Zarathustra. I used it because nothing else rhymes with “Scaraboushka”.
14 - BURYING HEATHER
Standing alone
With one hand on the grave
Where are we going to?
Lower the coffin in her open grave
Everyone’s lonely too
Everyone’s lonely too
Now the waiting hours are over
And the temperature’s dropping fast
There’s no hope for absolution
As Rigor Mortis sets in
Standing alone
With one hand on the grave
Where are we going to?
Lower the coffin in her open grave
Everyone’s lonely too
Everyone’s lonely too
Black-gloved hear the church cough
Now the casket has been closed
And the horror is my truism
As the holy water flows
Although I make noise
I won’t wake you
(We’re all mortal, we all are going to die)
Hello, goodmorning
This is your wake up call
Standing alone
With one hand on the grave
Where are we going to?
Lower the coffin in her open grave
Everyone’s lonely too
Everyone’s lonely too
See the morgue light up the graveyard
She lies there where the city ends
The exhaustfumes in November night
Paint a morbid scenery
Stare into you rearview mirror
The corpse is upright and she walks
And your mind sees decomposition
As you step out of the car
Standing alone
With one hand on the grave
Where are we going to?
Lower the coffin in her open grave
Everyone’s lonely too
Everyone’s lonely too
Although I make noise
I won’t wake you
Hello, goodmorning
This is your wake up call
Lie down, Heather, rest you
Violin ensemble, all harmony & leadvocals by Valensia Clarkson
15 - VALENSIAN JAZZ
I’m not here
I’m not really here
The trade is made
-isn’t it cruel?
I’m not here
I’m not really here
I need to feel
I can’t face the crowds
Unreal, now it’s all said & over
I need to sleep
I can’t chase the clouds
Just sleep till it’s all gone & over
Touch if you will, if you can’t face the crowds
I need you within me myself
Die if you will, make the sun come right out now she’s gone
If you can’t face the crowds
I’m not here
I’m not really here
To face it
-isn’t it cruel?
I’m not here
I’m not really here
I need to feel
I can’t face the crowds
Unreal, now it’s all said & over
I need to sleep
I can’t chase the clouds
Just sleep till it’s all gone & over
Touch if you will, if you can’t face the crowds
I need you within me myself
Die if you will, make the sun come right out now she’s gone
If you can’t face the crowds
(I want to dedicate this song to my father, but as he’s not so crazy about most of my music, I’m not sure whether he’d really like that. (He likes some of my lyrics, though.) But who knows, maybe he’ll like this song because it’s not so bombastic. On the other hand, I don’t think he’s crazy about jazz either. Plus I’m singing this with a high voice…)
But this ain’t real jazz. You know what? I just dedicate this song to him, live this text in the booklet as it is, and just say nothing. He might read it, as he reads the lyrics.
I need to feel
I can’t face the crowds
Unreal, now it’s all gone & over
I need to sleep
I can’t chase the clouds
Just sleep till it’s all gone & over
Touch if you will, if you can’t face the crowds
I need you within me myself
Die if you will, make the sun come right out now she’s gone
If you can’t face the crowds
Touch if you will, if you can’t face the crowds
I need you within me myself
Die if you will, make the sun come right out now she’s gone
If you can’t face the crowds
Drums performed by David Clarkson
Fretless bass by Emanuel Platino
All Unicorn guitars, grand piano & accordeon by Valensia Clarkson
Harmony vocals & leadvocals by Valensia Clarkson
Fairlight by Valensia Clarkson
Here you have them, enjoy them!! |
|
Back to top |
|
|
Merçeauroix Admin
Joined: 06 May 2007 Posts: 205 Location: The Moon
|
Posted: Fri Jun 22, 2007 3:52 pm Post subject: |
|
|
HELL YES!!!!
Muchísimas gracias _________________
Mother Nature, sow the seeds
Mother Nation bleeds |
|
Back to top |
|
|
deie_gaia Mod
Joined: 19 Jun 2007 Posts: 125
|
Posted: Fri Jun 22, 2007 4:10 pm Post subject: |
|
|
De nada, yo también quería hacer algo...
Ahora sé todo lo que cuesta pasar al ordenador las letras de Valensia!! |
|
Back to top |
|
|
|
|
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|
|